![]() y the ate 60 s Mike s stye emerged as a mixture of cassic. ut Mike aso oved the ues which aways remained his musica core. We can ony specuate that his experience growing up in Chicago paying with many fine horn and keyboard payers, and hours of istening to records, panted the seeds of improvising above and beyond typica ues. He often said in interviews that he istened to, and admired, the great Jazz payers of the time. he question of how and where Mike came up with these unique ines has ong been debated. ut on coser examination, especiay on recordings from around 16 to 10, Mike often interweaved, what many might consider Jazz or Swing riffs, into his great ues vocabuary. o the casua istener, Mike might sound ike just another fine ues payer. No other ues/rock guitar payer of the 160 s incorporated more interesting meodies in their sooing than oomfied. 1 he Essentia Mike oomfied eyond ues hrases by Don Mock eyond ues hrases is the topic for this, the third instament of he Essentia Mike oomfied.
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